during the non-video portions of the film, the colors are beautifully rich, with verdant fields and saturated skies.the abrupt, but fitting pattern between flowing, dreamlike camerawork, shaky camerawork, textual discourse, and the eerily sensual, fictitious lily chou chou tracks provide a momentum that is both refreshing in its originality but effectively discomforting. at one point, a vacation sequence is depicted solely through excited and dizzying amateur videography by the boys themselves, humorous close-ups of accompanying girls' bodies included. the camera is often puerile and shaky when showing the boys' ventures and conversations. visually, the filmmaking complements the ideas perfectly. Including the fragility of relationships and the personas we use based on them, fanatical envy and love contrasted against blind rage and hate, metamorphosis, and technology versus nature.although executed in an arguably confusing manner, consisting of many non-chronological vignettes, the film ultimately succeeds in depicting a modern-day story involving the relationship between two early-adolescent japanese boys, their journey through life and school, their changing identities, and their fascination with and "connection" to the strangely popular musician, lily chou chou.
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